knitting // Souvenir

Following a debut that established them as one of the most promising voices in Montréal's flourishing DIY scene, knitting return with Souvenir, a sophomore album preoccupied with memory, identity, and the uneasy transition from youthful possibility to adult uncertainty. Where Some Kind of Heaven found the trio operating within a hazy, grunge-adjacent slacker rock framework, Souvenir broadens that palette with greater textural depth and sonic ambition. Synthesizers, drum machines, and atmospheric flourishes drift through the record, expanding the band's sound while preserving the direct emotional pull of their songwriting. Frontperson Mischa Dempsey remains a compelling narrator, documenting the small anxieties, fleeting joys, and lingering questions that accompany early adulthood. Songs like "Here Comes" and "I Want To Remember Everything" wrestle with self-definition and nostalgia, balancing vulnerability with sharp observational detail and memorable hooks. Recorded largely in-house and shaped through instinctive collaboration, the album carries a warmth and intimacy that feels inseparable from the people who made it. Sarah Harris' production gives the material room to breathe, while bassist Piper Curtis and drummer Andy Mulcair provide a flexible rhythmic foundation that shifts naturally between restraint and momentum. Throughout, knitting sound less interested in repeating the strengths of their debut than in following their curiosity wherever it leads. The result is an album that feels both more expansive and more personal, treating memory not as a fixed archive but as a living, constantly shifting landscape. Souvenir confirms knitting's evolution from a promising DIY project into a band with a distinct and increasingly compelling voice.